DolaMight
05-06-2007, 11:52 AM
Sorry for the recycled Bill O'Reilly headline, but this is the 3rd article they've printed in the last 3 weeks trying to artificially incite another Imus incident. NYT now directly contacts show advertisers with the intent of having them pull their ads.
It's the ol dependable "Shock-Critic" Jacques Stienberg with another terribly written front page article, revealing that the NYT is taping every single minute of every talk show. No surprise there, but reading the article you just see the way they manipulate the reader by the way they quote the banter from all the shows. Inevitably in print there's no way to get across the humor, emphasis, and of course context. Jim Norton's line “Would it be possible, could you whistle ‘Singin’ in the Rain’ while I rape a girl?” came across as cruel, when in fact if you actually hear the audio it was a thoughtful and heartfelt plea for assistance.
Hypocritically the language printed in this article, intended to shock the reader and therefore sell more papers, is the same method "Shock-Jocks" use to sell radio.
100%Muscle reporting for www.ronfez.net
May 6, 2007
Shock Radio Plays Rough and Shrugs at Imus’s Fall
By JACQUES STEINBERG
Almost two weeks after CBS Radio fired Don Imus for his racially and sexually demeaning remarks about the Rutgers women’s basketball team, Nick Di Paolo opened his talk show on another CBS station in New York by mocking a manual that, he said, one of his bosses had given him that morning.
The booklet was entitled “Words Hurt and Harm” and, as described by Mr. Di Paolo, it urged him and his brethren to avoid the sort of stereotypes that had not only upended Mr. Imus but had also just gotten two colleagues on WFNY (92.3 FM) suspended for broadcasting a six-minute prank call littered with slurs to a Chinese restaurant.
“Right away, we’re starting with a false premise,” Mr. Di Paolo told his listeners on April 25, just after noon. “Because words don’t hurt.”
He then proceeded to refer to someone in the studio who was apparently of Colombian descent as “a drug dealer,” before using an exercise in the manual as a springboard to the following observations: that “enough” Native Americans drank to make them fair game for a joke; that waiters in Chinese restaurants were “efficient” and “better than most, you know, other ethnic groups as waiters and waitresses”; and that Jewish mothers were “bad cooks and a little hairy.”
The part of the radio spectrum where Mr. Di Paolo holds forth each day — shows in which commentary and entertainment fuse, sometimes under the rubric of a morning or afternoon “zoo” — remains as arguably and insidiously untamed in the days after Mr. Imus’s collapse as it was before, based on a New York Times screening of nearly 250 hours of shock-talk radio broadcast over the last week.
Gay men and lesbians, and women and Muslims, among others, were frequent targets of ridicule; coarse, sexually explicit banter, particularly descriptions of anal and oral sex, proliferated, much of it reminiscent of the routines that once drew Howard Stern heavy penalties; and meanness appeared to be a job prerequisite, whether a host was belittling someone who called in or the unwitting subject of a prank call.
In a sense, the hosts of these shows are juggling live grenades each day, putting the companies that broadcast and sponsor them at the greatest risk of collateral damage, particularly as the smoke clears from the Imus affair.
After being told of Mr. Di Paolo’s comments, for example, officials of the New York State Lottery said they had decided to discontinue all advertising on his show. They also said they would no longer sponsor “Opie and Anthony,” a morning show on the same station, after being apprised of a line uttered by a comedian who is a regular guest. “Would it be possible, could you whistle ‘Singin’ in the Rain’ while I rape a girl?” the comedian had asked another guest, a professional whistler, in an old interview replayed on April 25.
All told, The Times listened to a dozen prominent shows on so-called terrestrial radio for five weekdays in a row. Some, like “Mancow’s Morning Madhouse,” out of Chicago, and “El Vacilón de la Mañana,” a Spanish-language program originating in New York, draw tens of thousands of listeners each day on multiple stations across the country. Others tend to reach a more regional audience, including “The Jersey Guys,” an afternoon talk show that is among the most popular in New Jersey, and “Steve and D.C.,” which has similar reach in St. Louis.
In one respect, Mr. Imus and the hole he dug for himself were unique: a nationally syndicated radio host who interviewed the powerful used his bully pulpit, not just on radio but also on a cable news network, to make a racially charged aside about largely defenseless victims.
And yet, in the weeks after his firing, the nation’s AM and FM airwaves have continued to crackle with the kind of crude remarks, off-color bits and unfiltered rage that might well run afoul of the standards that Mr. Imus was said by his employers, and critics, to have violated.
One morning late last month, for example, Mancow, the syndicated talk show host whose real name is Erich Muller and whose audience was estimated at 1.5 million by Talkers magazine as recently as last fall, could be heard dismissing a caller as a “brain-dead fetus” and a “late-term abortion that somehow crawled out of the Dumpster” after the man’s phone connection gave out.
Mr. Muller — whose show is heard prominently on AM talk radio in South Florida (the station call letters are WMEN, a nod to its format), as well as in Houston, Indianapolis and San Francisco — also suggested on the same broadcast that “radical Muslims” would not stop until they had flattened American religion like a steamroller.
His children, he predicted, “will probably be killed because I’m bringing them up Catholic, and maybe their children will be brainwashed and put into some sort of situation where they’re wearing a burka and they follow Shia law, because that’s what these radicalized Muslims want.”
He also mused about several other matters, including, “I just wonder why we care so much about Virginia Tech kids.” He quickly qualified the remark by saying, “Don’t pull that out of context,” before indicating that soldiers killed in Iraq deserved comparable gestures of mourning.
And that was just one day’s show.
Asked about the appropriateness of that host’s remarks in a post-Imus world, a representative for the company syndicating the show — Talk Radio Network, which also distributes the hosts Michael Savage and Laura Ingraham — said he would pass on the question to the company’s chief executive, Mark Masters, and to the show’s producer. Neither responded.
Meanwhile, a representative for one of the show’s advertisers — the American Council on Education, an association of colleges — said that the group had been unaware that its spots promoting higher education had run on the show. The commercials are part of a public service campaign created and donated by the Ad Council, said Terry Hartle, a spokesman for the college group.
“We will certainly talk with the Ad Council about that particular placement,” Mr. Hartle said.
Still, no targets on such shows — which are overwhelmingly, though not exclusively, led by disaffected white men like Mr. Muller — are fired at with greater frequency than women.
Last Monday Mr. Di Paolo, a stand-up comic whose show on 92.3 “Free FM” in New York is heard by nearly 160,000 people each week (ranking it 27th in the market, according to Arbitron), proposed that homeless women be employed to monitor traffic.
“Go to the women’s shelter,” he said. “Get a bunch of chicks with black eyes and one tooth.”
On April 27, in an extended rant in support of Alec Baldwin’s right to lose his temper in private, he wondered about the last film role of the actor’s former wife, Kim Basinger. “What did she play?” Mr. Di Paolo asked. “An old tampon?”
Asked about the propriety of Mr. Di Paolo’s comments — especially in light of the action taken by CBS Radio against Mr. Imus and “J.V. and Elvis,” the hosts suspended over their prank against the Chinese restaurant — Karen Mateo, a spokeswoman for the company, declined to comment. Reached on Friday night, Mr. Di Paolo said he knew that in the current climate, his reluctance to filter his harshest opinions could ultimately cost him his show, which began on WFNY in December.
“It’s a risk I’m willing to take,” said Mr. Di Paolo, 45, who has been working as a comedian for nearly two decades. “It’s got to stop somewhere. And I’m hoping they say enough is enough — not as far as what I do, but as far as censoring people.”
He added, “At least with my show, I take shots at everybody.”
Across the Hudson River earlier in the week, the hosts of the “Jersey Guys” show on WKXW (101.5 FM) in Trenton, among the most popular in the state, were imagining the sex life of Gov. Jon S. Corzine.
Having decided a few days earlier that the governor’s girlfriend had surely cleared his hospital room to give him “a little servicing” after his car accident, they were now encouraging the governor, as he continued his recovery at his mansion, to find additional female companionship.
“I’d get bitches, wouldn’t you?” said Craig Carton, one of the hosts, on their April 30 program, which was simulcast live on the radio station’s Web site. “Poolside bitches ... with big leaves to fan the governor down after exhausting physical therapy, maybe a little massage.”
“That should be his new mantra,” Mr. Carton added. “I’m the governor, I’ve had a reawakening, I now believe everyone should have poolside bitches.”
Such talk was mild, though, when measured against what is offered every morning on Spanish-language radio, the Wild West of the medium.
Just as Mr. Imus’s show might have featured an interview with a presidential candidate followed by a bawdy imitation of Cardinal Edward M. Egan, “El Traketeo,” a morning show on an FM station owned by Univision in Miami (its title roughly translates as “the uproar” or “the hoax”) toggles between weighty discussion of matters like immigration and chatter that borders on the pornographic.
On April 26, for example, the show, heard by an estimated 142,000 listeners each week, broadcast a parody of a salsa song in which a man pleaded with his girlfriend for anal sex.
“I understand that you’re afraid,” he said. “Relax a little.”
A day later the show’s hosts conducted a phone interview about rising property taxes with Marco Rubio, a Republican from Miami who is speaker of the State House of Representatives. Sometime after Mr. Rubio hung up, the show broadcast another song parody, this one about a man whose life is being cramped by the taxes Mr. Rubio is trying to cut.
I had to have sex in a bus, the singer laments, because “I couldn’t afford the motel.”
Asked if Mr. Rubio had been aware of the shenanigans that are part of the show’s daily diet, a spokeswoman for him, Jill Chamberlin, said that he appreciated “the opportunity Univision has given him to get the cut-property-tax message out to the citizens.”
Whether the Federal Communications Commission or Congress will step up sanctions against radio programs after Mr. Imus’s firing remains unknown. The commission does not actively monitor such shows — it relies on listener complaints to initiate investigations — and even then, harsh or racy speech is often protected by the First Amendment.
Which is not to say that the F.C.C. is not paying attention: in 2004 the hosts of “El Vacilón de la Mañana,” a show that until recently originated in Miami on WXDJ FM, were fined $4,000 by the commission for broadcasting a prank call to Fidel Castro, who apparently thought he was speaking to Hugo Chávez; they have since left the station.
Emmis Communications, which had broadcast Mr. Muller’s show on its FM station in Chicago, let him go last summer, two years after it had agreed to pay $300,000 to settle indecency complaints against his show.
Still, employers may not wait for the government, choosing instead to apply their own standards, particularly if advertisers begin to object.
After Mr. Imus’s comments about the mostly black Rutgers team, the hosts on two predominantly black stations in New York — WQHT (97.1 FM) and WBLS (107.5) — have made references on their programs to the need to police themselves, and their callers, better.
Tarsha Nicole Jones, who as “Miss Jones” is host of a show on WQHT that reaches nearly 700,000 listeners a week, has taken to using “wenches” and “itches” as substitutes for harsher words, and she reprimanded a caller on Monday for using a common racial slur twice.
Later the show ran a stentorian public service announcement that said, “Due to new regulations regarding the use of language, the ‘Miss Jones Show’ has made the appropriate adjustments.”
Reporting was contributed by Terry Aguayo, Rebecca Cathcart, Bob Driehaus, Theo Emery, Ann Farmer, Malcolm Gay, Jon Hurdle, Carolyn Marshall, Lori Moore, Regan Morris, Colin Moynihan and Andrea Zarate.
It's the ol dependable "Shock-Critic" Jacques Stienberg with another terribly written front page article, revealing that the NYT is taping every single minute of every talk show. No surprise there, but reading the article you just see the way they manipulate the reader by the way they quote the banter from all the shows. Inevitably in print there's no way to get across the humor, emphasis, and of course context. Jim Norton's line “Would it be possible, could you whistle ‘Singin’ in the Rain’ while I rape a girl?” came across as cruel, when in fact if you actually hear the audio it was a thoughtful and heartfelt plea for assistance.
Hypocritically the language printed in this article, intended to shock the reader and therefore sell more papers, is the same method "Shock-Jocks" use to sell radio.
100%Muscle reporting for www.ronfez.net
May 6, 2007
Shock Radio Plays Rough and Shrugs at Imus’s Fall
By JACQUES STEINBERG
Almost two weeks after CBS Radio fired Don Imus for his racially and sexually demeaning remarks about the Rutgers women’s basketball team, Nick Di Paolo opened his talk show on another CBS station in New York by mocking a manual that, he said, one of his bosses had given him that morning.
The booklet was entitled “Words Hurt and Harm” and, as described by Mr. Di Paolo, it urged him and his brethren to avoid the sort of stereotypes that had not only upended Mr. Imus but had also just gotten two colleagues on WFNY (92.3 FM) suspended for broadcasting a six-minute prank call littered with slurs to a Chinese restaurant.
“Right away, we’re starting with a false premise,” Mr. Di Paolo told his listeners on April 25, just after noon. “Because words don’t hurt.”
He then proceeded to refer to someone in the studio who was apparently of Colombian descent as “a drug dealer,” before using an exercise in the manual as a springboard to the following observations: that “enough” Native Americans drank to make them fair game for a joke; that waiters in Chinese restaurants were “efficient” and “better than most, you know, other ethnic groups as waiters and waitresses”; and that Jewish mothers were “bad cooks and a little hairy.”
The part of the radio spectrum where Mr. Di Paolo holds forth each day — shows in which commentary and entertainment fuse, sometimes under the rubric of a morning or afternoon “zoo” — remains as arguably and insidiously untamed in the days after Mr. Imus’s collapse as it was before, based on a New York Times screening of nearly 250 hours of shock-talk radio broadcast over the last week.
Gay men and lesbians, and women and Muslims, among others, were frequent targets of ridicule; coarse, sexually explicit banter, particularly descriptions of anal and oral sex, proliferated, much of it reminiscent of the routines that once drew Howard Stern heavy penalties; and meanness appeared to be a job prerequisite, whether a host was belittling someone who called in or the unwitting subject of a prank call.
In a sense, the hosts of these shows are juggling live grenades each day, putting the companies that broadcast and sponsor them at the greatest risk of collateral damage, particularly as the smoke clears from the Imus affair.
After being told of Mr. Di Paolo’s comments, for example, officials of the New York State Lottery said they had decided to discontinue all advertising on his show. They also said they would no longer sponsor “Opie and Anthony,” a morning show on the same station, after being apprised of a line uttered by a comedian who is a regular guest. “Would it be possible, could you whistle ‘Singin’ in the Rain’ while I rape a girl?” the comedian had asked another guest, a professional whistler, in an old interview replayed on April 25.
All told, The Times listened to a dozen prominent shows on so-called terrestrial radio for five weekdays in a row. Some, like “Mancow’s Morning Madhouse,” out of Chicago, and “El Vacilón de la Mañana,” a Spanish-language program originating in New York, draw tens of thousands of listeners each day on multiple stations across the country. Others tend to reach a more regional audience, including “The Jersey Guys,” an afternoon talk show that is among the most popular in New Jersey, and “Steve and D.C.,” which has similar reach in St. Louis.
In one respect, Mr. Imus and the hole he dug for himself were unique: a nationally syndicated radio host who interviewed the powerful used his bully pulpit, not just on radio but also on a cable news network, to make a racially charged aside about largely defenseless victims.
And yet, in the weeks after his firing, the nation’s AM and FM airwaves have continued to crackle with the kind of crude remarks, off-color bits and unfiltered rage that might well run afoul of the standards that Mr. Imus was said by his employers, and critics, to have violated.
One morning late last month, for example, Mancow, the syndicated talk show host whose real name is Erich Muller and whose audience was estimated at 1.5 million by Talkers magazine as recently as last fall, could be heard dismissing a caller as a “brain-dead fetus” and a “late-term abortion that somehow crawled out of the Dumpster” after the man’s phone connection gave out.
Mr. Muller — whose show is heard prominently on AM talk radio in South Florida (the station call letters are WMEN, a nod to its format), as well as in Houston, Indianapolis and San Francisco — also suggested on the same broadcast that “radical Muslims” would not stop until they had flattened American religion like a steamroller.
His children, he predicted, “will probably be killed because I’m bringing them up Catholic, and maybe their children will be brainwashed and put into some sort of situation where they’re wearing a burka and they follow Shia law, because that’s what these radicalized Muslims want.”
He also mused about several other matters, including, “I just wonder why we care so much about Virginia Tech kids.” He quickly qualified the remark by saying, “Don’t pull that out of context,” before indicating that soldiers killed in Iraq deserved comparable gestures of mourning.
And that was just one day’s show.
Asked about the appropriateness of that host’s remarks in a post-Imus world, a representative for the company syndicating the show — Talk Radio Network, which also distributes the hosts Michael Savage and Laura Ingraham — said he would pass on the question to the company’s chief executive, Mark Masters, and to the show’s producer. Neither responded.
Meanwhile, a representative for one of the show’s advertisers — the American Council on Education, an association of colleges — said that the group had been unaware that its spots promoting higher education had run on the show. The commercials are part of a public service campaign created and donated by the Ad Council, said Terry Hartle, a spokesman for the college group.
“We will certainly talk with the Ad Council about that particular placement,” Mr. Hartle said.
Still, no targets on such shows — which are overwhelmingly, though not exclusively, led by disaffected white men like Mr. Muller — are fired at with greater frequency than women.
Last Monday Mr. Di Paolo, a stand-up comic whose show on 92.3 “Free FM” in New York is heard by nearly 160,000 people each week (ranking it 27th in the market, according to Arbitron), proposed that homeless women be employed to monitor traffic.
“Go to the women’s shelter,” he said. “Get a bunch of chicks with black eyes and one tooth.”
On April 27, in an extended rant in support of Alec Baldwin’s right to lose his temper in private, he wondered about the last film role of the actor’s former wife, Kim Basinger. “What did she play?” Mr. Di Paolo asked. “An old tampon?”
Asked about the propriety of Mr. Di Paolo’s comments — especially in light of the action taken by CBS Radio against Mr. Imus and “J.V. and Elvis,” the hosts suspended over their prank against the Chinese restaurant — Karen Mateo, a spokeswoman for the company, declined to comment. Reached on Friday night, Mr. Di Paolo said he knew that in the current climate, his reluctance to filter his harshest opinions could ultimately cost him his show, which began on WFNY in December.
“It’s a risk I’m willing to take,” said Mr. Di Paolo, 45, who has been working as a comedian for nearly two decades. “It’s got to stop somewhere. And I’m hoping they say enough is enough — not as far as what I do, but as far as censoring people.”
He added, “At least with my show, I take shots at everybody.”
Across the Hudson River earlier in the week, the hosts of the “Jersey Guys” show on WKXW (101.5 FM) in Trenton, among the most popular in the state, were imagining the sex life of Gov. Jon S. Corzine.
Having decided a few days earlier that the governor’s girlfriend had surely cleared his hospital room to give him “a little servicing” after his car accident, they were now encouraging the governor, as he continued his recovery at his mansion, to find additional female companionship.
“I’d get bitches, wouldn’t you?” said Craig Carton, one of the hosts, on their April 30 program, which was simulcast live on the radio station’s Web site. “Poolside bitches ... with big leaves to fan the governor down after exhausting physical therapy, maybe a little massage.”
“That should be his new mantra,” Mr. Carton added. “I’m the governor, I’ve had a reawakening, I now believe everyone should have poolside bitches.”
Such talk was mild, though, when measured against what is offered every morning on Spanish-language radio, the Wild West of the medium.
Just as Mr. Imus’s show might have featured an interview with a presidential candidate followed by a bawdy imitation of Cardinal Edward M. Egan, “El Traketeo,” a morning show on an FM station owned by Univision in Miami (its title roughly translates as “the uproar” or “the hoax”) toggles between weighty discussion of matters like immigration and chatter that borders on the pornographic.
On April 26, for example, the show, heard by an estimated 142,000 listeners each week, broadcast a parody of a salsa song in which a man pleaded with his girlfriend for anal sex.
“I understand that you’re afraid,” he said. “Relax a little.”
A day later the show’s hosts conducted a phone interview about rising property taxes with Marco Rubio, a Republican from Miami who is speaker of the State House of Representatives. Sometime after Mr. Rubio hung up, the show broadcast another song parody, this one about a man whose life is being cramped by the taxes Mr. Rubio is trying to cut.
I had to have sex in a bus, the singer laments, because “I couldn’t afford the motel.”
Asked if Mr. Rubio had been aware of the shenanigans that are part of the show’s daily diet, a spokeswoman for him, Jill Chamberlin, said that he appreciated “the opportunity Univision has given him to get the cut-property-tax message out to the citizens.”
Whether the Federal Communications Commission or Congress will step up sanctions against radio programs after Mr. Imus’s firing remains unknown. The commission does not actively monitor such shows — it relies on listener complaints to initiate investigations — and even then, harsh or racy speech is often protected by the First Amendment.
Which is not to say that the F.C.C. is not paying attention: in 2004 the hosts of “El Vacilón de la Mañana,” a show that until recently originated in Miami on WXDJ FM, were fined $4,000 by the commission for broadcasting a prank call to Fidel Castro, who apparently thought he was speaking to Hugo Chávez; they have since left the station.
Emmis Communications, which had broadcast Mr. Muller’s show on its FM station in Chicago, let him go last summer, two years after it had agreed to pay $300,000 to settle indecency complaints against his show.
Still, employers may not wait for the government, choosing instead to apply their own standards, particularly if advertisers begin to object.
After Mr. Imus’s comments about the mostly black Rutgers team, the hosts on two predominantly black stations in New York — WQHT (97.1 FM) and WBLS (107.5) — have made references on their programs to the need to police themselves, and their callers, better.
Tarsha Nicole Jones, who as “Miss Jones” is host of a show on WQHT that reaches nearly 700,000 listeners a week, has taken to using “wenches” and “itches” as substitutes for harsher words, and she reprimanded a caller on Monday for using a common racial slur twice.
Later the show ran a stentorian public service announcement that said, “Due to new regulations regarding the use of language, the ‘Miss Jones Show’ has made the appropriate adjustments.”
Reporting was contributed by Terry Aguayo, Rebecca Cathcart, Bob Driehaus, Theo Emery, Ann Farmer, Malcolm Gay, Jon Hurdle, Carolyn Marshall, Lori Moore, Regan Morris, Colin Moynihan and Andrea Zarate.